Hey Creativity champions for the revitalized ACA-Austin,
Talked with Russ this AM, who encouraged me to polish up the following "creative flow" that just had to spout out, this early AM from our the "launch of our first creative ACA-A adventure at the ZACH Theatre yesterday afternoon............ Wanted you both, Connie and Bud, to "be with us," so here are some "creative minutes" of that meeting.......... Open to corrections and feedback, all.
After threading our way through the traffic for South By South West, Mardi Gras Weekend and the first days the fruit trees burst into bloom, we got to Casa. Lots springing forth around Austin this weekend.......
ZACH had to hold the curtain for over 15 minutes, for all those determination enough got them to the sold out house...... Thanks to the contributions of Bud and Connie, who filled our group of 10. We were able to give two tickets "back to the house" for which they were very grateful.........
My write-up below is my "report to all" about our creative adventure to "open the door" of ACA-A reactivated in the glow of the HOT PATRIOT. Where shall I send this.............
By the way, Phyllis realized that her daughter Kathy could capture a photo of us with Barbara Chisholm after the performance. The former ACA-A treasurer, Melissa is in the photo, too.
I wish to nominate Barbara Chisholm as our first ACA-A Honorary Member........... She loved the interview with Russ on Friday and spent a good deal of time with us after the show...... Russ thinks he will have both the interview and photos by his friend heather, up on e-screens today....... Stay tuned.
We are launched.................
Molly Ivins Did Say That! Thank goodness!
RED HOT PATRIOT: The Kick-Ass Wit of Mollie Ivins: ZACH Theatre, Austin, TX
Molly Ivins speaks again! Molly has been theatrically reincarnated on the stage of the Zachary Scott Theater. The award wining play rights, Iowa twins Allison and Margaret Engel, have given local Austin actress, Barbara Chisholm, a powerful and historically accurate script to deliver to Austin audiences. The Engel’s write from the perspective of Molly Ivin’s national significance, as highly creative journalism teachers, themselves. The Engels’ play is convincingly staged, right down to the antique teletype machine that beats out the rhythms of the press room that came alive on the ZACH stage. Kudos to the depth of artistic skill that creates this brilliant theatrical magic. Nothing is more powerful than a true story, especially when the backdrop is history-viewed-large, with actual photos from “newspaper morgues.” For 90 minutes, the audience is fast paced from birth to death, and back again, through a significant period of history for this politically problematic bio-region, know affectionately as Tex-ass.” Chisholm, a dynamic red-head of impressive stature, like Molly Ivins, built the creative energy of this well-staged historical vignette to the crescendo of a standing ovation at the end. Molly is back, at least on stage, at least for this week.
This Texas larger-than-life review of our local heroine transports the audience back to a transformative period in Texas history, around the historically significant typewriter of Molly Ivins. She “lived large” among us, observing and reporting for her state-mates, as editor of the Texas Observer. The humor and the irony of Texans loving and hating the “limelight of being published” were captured with her humorous voice, delivered with spunk and sass. Only the more private Smith College Molly, the elegant and classy gentle-woman from the Prep School in Houston, was missing for some of her local friends who attended. Still, her great heart was felt, as the audience could not resist reacting to the force of personality coming from stage central. Some of us felt tearful along the way, with glimpses Tex-ass characters flowing our history in front of our eyes.
Molly lived and worked near the capitol center of the great political shift from the ole Tejas Democratic government of the people changed by the bon fires of the Republican barbecue stampede that brought the Shrub to office. “I named him that,” she said. Molly knowingly spoke the truth, as only a Texan-born writer could do. Hopefully, Molly’s year on the New York Times’ best seller list will bring this exquisitely captured American heroine to wider audiences, to those across America who admired this Texas-tall woman who knew the difference between a tall tale and the truth, who wished to be remembered as a leader of “freedom fighters” and free speech. Multi-dimensional Molly recognized and reported both the difference, and the political significance between a caring Texas statesman and a horse trader who come to town “to do his business on the ledge.” It was the final call to action by Chisholm’s Molly, “to speak the truth to the dishonest power-mongers” that brought us all to our feet. The beginning of Molly’s mythology lives this week at the Zachary Scott Theatre, where she “emerges as the fierce Venus” archetype that she embodied among us. This play is not to be missed and needs to be held over another week, and seen in theatres across the America which Molly loved, traveled and worked.